Stronger Sisterhood: Representing Intersectional Identity
Curated by Paige Moreau
Deadline to submit – Extended to November 30, 2020
Preliminary Curatorial Statement (Read the full statement)
Female identifying artists and creatives are invited to submit work to “Stronger Sisterhood: Representing Intersectional Identity,” a virtual on-line exhibition in a 3D 360 degree gallery that explores the multidimensional and intersectional identities of women. Open to current, renewing and new Unbound Visual Arts’ members. Art in all media will be considered for this virtual exhibition including 2-dimensional and 3-dimensional works such as paintings, sculptures, photographs, collages, drawings, quilts, videos, poetry, recorded performances, stories, etc. We are seeking artwork that explores and engages with intersectional identity. Women’s oppression does not end with gender, it intersects with a multitude of characteristics. The recognition and representation of intersectionality invites women of all identities to advocate for equality and a stronger sisterhood.
How does your work represent the multitude of your identity, the marginalization or oppression you face because of your identity or the power you exhibit in the face of that oppression? How do women’s experiences differ due to other facets of our identity? How are we made stronger by recognizing and honoring these differences? Where in your experiences have you seen the recognition of intersectional feminism grow and where is there more work to be done?
Please be sure to hit “submit” at the end of the form. The form includes approving the exhibition agreement. This curated exhibit is in a virtual 3D gallery that includes on-line sales, an on-line catalogue, and a public opening program. The public dates for the exhibit are January 1 – March 31, 2021.
Preliminary Curatorial Statement
“As long as women are using class or race power to dominate other women, feminist sisterhood cannot be fully realized” -bell hooks
“Stronger Sisterhood: Representing Intersectional Identity”, is a virtual on-line exhibition that explores the multidimensional and intersectional identities of women.
The history of feminism has often been described in “waves”. The first wave is defined by the fight for women’s suffrage from the late 19th to early 20th century. The second wave, in the mid 20th century, focused on gender equality in the workplace, the home, and in civil liberties. Both of these movements, while making great strides for women, failed to address deeper compounded layers of oppression and marginalization faced by many women. First and second wave feminism were largely white middle class women’s movements and were often exclusionary of women of color, the LGBTQ+ community, working class women, women with disabilities and so on. The movements kept a narrow scope by focusing on a one dimensional vision of what it means to be a woman assuming common experiences and levels of marginalization based on gender identity. In reality, oppressions experienced by way of gender do not exist in a vacuum but instead intersect with multiple facets of identity. In 1989, lawyer, civil rights activist, and critical race theorist, Kimberlė Crenshaw coined the term “intersectionality” to describe how gender, race, class, and other individual characteristics intersect and augment oppressions. At present, the recognition of intersectionality’s importance in women’s rights has grown into a third wave of feminism that strives to recognize all the forms of oppression that female identifying people face.
Art created by a diverse range of female identifying artists is a key into visualizing and representing intersectional experiences. “Stronger Sisterhood: Representing Intersectional Identity” showcases that women’s experiences are not one but many, and only through diversity in representation can we begin to grasp a three dimensional view of all women. How do our experiences as women differ due to other facets of our identity? How are we made stronger by recognizing and honoring these differences? How has the recognition of intersectional feminism grown and where is there more work to be done?